Hacking packaging

Adweek recently discussed four ways Millennials and Gen Z are disrupting brands’ approach to packaging. In summary:

  • Packaging that reflects my values: Smirnoff’s “Love Wins” bottles celebrate LGBTQ pride and have been on the market now for two years. This year, the brand highlighted 34 real LGBTQ couples on its labels.

  • Brands that recognize me as an individual. In the UK, consumers can create personalized Kit Kat packaging and have the candy bars delivered to their door in a customized framable box.

  • I want brands to be playful and fun. Oreo’s Colorfilled initiative allowed consumers to create personalized cookies.

  • I want authenticity. Brands can now watermark packages so people know they are buying the genuine article and apps can bring packages to life, and offer evidence of the brand’s authenticity and uniqueness.

The article links to an Adweek webinar that talks more about how digital innovations have revolutionized packaging.


Can crayons make you cry?

Crayons aren’t all that cool anymore. They used to be a staple of childhood and still are, to an extent. But they have been crowded out a bit by markers and pencils and by other forms of media, such as games and iPads.

At the Association of National Advertisers’ 2018 Brand Activation Conference, Crayola’s Director of Marketing Communications, Josh Kroo, discussed how experiential marketing has helped the brand overcome those challenges.  (The article is behind a paywall at WARC.)

Of course, it hasn’t just been experiential marketing.  Crayola has a seemingly never-ending stream of innovations – including products that leverage augmented reality and a line extension into lipstick, via a partnership with Clinique.

However, they also used storytelling to create an emotionally compelling brand experience. The story was built around how Crayola was planning to retire one of its iconic colors. The discussion about which color would be sent to the curb created all kinds of social media buzz, and the brand elicited 90,000 submissions from consumers who wanted to vote on the name of the new color that would replace it.  Some of the colors were given characters and personalities, as well, which amped up the emotional engagement.

The campaign was supported by high-profile out-of-home placements and significant earned media, including Jimmy Fallon and Good Morning America. Ultimately, the campaign was successful in dramatically reversing declining sales of Crayola’s iconic 24-count box.


Judge me by my questions, not my answers

Harvard Business Review recently published an article called “The Surprising Power of Questions.”  (Thanks to Olson Zaltman's Joe Plummer for sharing).

It focuses on the unconscious effects that asking questions (and HOW you ask questions) can have. Among the highlights:

  • People like you better when you ask questions.  Even something as simple as, “What am I not asking you that I should?”
  • Closed questions can be quite problematic and elicit a very different set of responses than open-ended questions.
  • Open-ended questions can elicit negative feedback successfully. (“If you were to play devil’s advocate, what would you say?”)
  • Successful sales people ask more questions – but not too many questions.  And they sprinkle their questions throughout the conversation.
  • Ask the most sensitive questions first.  Subsequent questions will feel less intrusive.

The article also has a few tips for how to respond to difficult questions.


50,000,000 people can't be wrong

If you don’t follow Richard Shotton on Twitter, you should. Every day he posts thought-provoking ideas about our field.

He recently published an article outlining three mistakes to avoid when applying behavioral science to advertising.

1. Negative social proof. We are social animals. If you try to guilt me into donating to public radio by telling me, “95% of listeners don’t support their local public radio stations,” you’ve probably lost me.  Generally speaking, people like doing things that others are doing.

2. Pratfall Effect. Few brands do this. In short, people are attracted to other people (or brands) that are relatable, and flaws make you relatable.  The Domino’s Pizza campaign in which they confessed that their pizza was terrible and they needed to do better is a recent example of this. The VW Beetle “boasted” of its ugliness, which gave it a voice that broke through the clutter.

3. Following the Herd. It isn’t an act of courage for a brand to do something unconventional.  It’s common sense. All marketers say they want to break category norms, but very few do because there is a misleading feeling of safety in following the herd.

Shotton’s book, The Choice Factory, expands on these and other ideas from behavior science.


The politics of status

We study a lot of brands that have “badge value,” that signal our status to other people. Research just published by the Journal of Marketing and summarized in the Harvard Business Review suggests there are different status-related goals and that people with certain political leanings respond differently to how status is framed.

In short, when it comes to luxury goods Republicans are more likely than Democrats to respond favorably to messaging about status maintenance (as opposed to status advancement).

The authors “attribute this to conservatives’ greater desire to preserve socioeconomic order and maintain existing social hierarchies.”

As they conclude, this has implications for how brands communicate across different channels. For example, if you spend a lot of time on conservative websites, Mercedes-Benz may want to target you with a slightly different emotional appeal than they would use on your equally wealthy friend, who subscribes to Mother Jones and listens online to NPR.


The smell of yesterday

I grew up across the street from a bowling alley. It was rough around the edges but I had a lot of fun there. It also had a very distinct smell, which I cannot describe or identify. Probably some combination of the oil they used on the lanes, floor polish, and various fried foods. I have never smelled anything like it since.

Until…I was speaking to someone a couple of weeks ago who was wearing a perfume that was close enough to that scent that it took me right back to being 12 years old. I asked my wife later, “WTF was she wearing? She smells like a bowling alley.”  Probably not the aura she intended to convey.

OZ's Randy Adis has shared an article that discusses a recent study that explains the science of episodic odor memory. There is a region of the brain that forms neural pathways with the hippocampus and those pathways cement these memories. Indeed, a loss of smell-based memory is an early indicator of Alzheimer’s disease, so this phenomenon is real.

The first half of the article gets pretty heavily into the science of the paper. The second half talks a bit about marketing and societal implications. As we go to more of a one-click economy and spend more time behind our screens than hanging out in public places, what does this mean for our olfactory memories and, in turn, what does this mean for how we experience life?

(AP Photo: Gene J. Puskar)

(AP Photo: Gene J. Puskar)

How police think

Americans’ relationship with the police is complicated – and has become more complicated in the wake of a highly-publicized series of shootings of people of color over the past several years.

This research from Shefali Patil at the University of Texas at Austin explores this topic from the officers’ perspective – specifically, their perceptions of power, their relationship with the communities they serve, and how those two factors affect performance.

Although nearly 90% of Americans rate police officers’ jobs as very risky, the vast majority of officers believe the public really doesn’t understand just how risky and challenging their job is.  Officers react to that lack of understanding in two different ways.

  • The hard-liners who believe in “get tough” law enforcement and strong punishment for crimes.  These officers tend to not give a damn whether people understand them or not.
  • The soft-liners who believe in rehabilitation and community outreach as a way to reduce crime.  When these officers feel misunderstood, they feel frustrated, unappreciated, and almost hurt because they feel they are genuinely trying to build a bridge to those they serve.

Dr. Patil then collected body camera footage from 164 officers conducting traffic stops, arrests, and house calls.  She showed that footage to a group of current and retired supervisors and asked them to rate the officers’ performance.  The “soft-line” officers tended to receive lower ratings, either because they hesitated or acted too quickly and thus violated safety protocols.

Perhaps this says something about the subjectivity of the raters. Or perhaps the frustration that “soft-line” officers feel really does make them less effective.  As one of them said, “It makes not only me, but I see it in a lot of these guys, they don’t want to be proactive. Officers pause, and there’s going to be times where it’s going to be a safety issue.”

One option: give officers less latitude to make decisions.  Paradoxically, Dr. Patil’s research suggests that those officers who feel misunderstood but have limited autonomy actually perform better than those who have a lot of freedom.

Another option – perhaps a better one over the long-term – is to design outreach that helps these “soft-line” officers, in particular, better cope with the lack of understanding they feel from the public.



Sweet Dreams

I bet you never thought to pay $25 for a nap.

Thanks for Jess for sending along news of Casper’s just-opened storefront in New York called The Dreamery. For $25 you can reserve a 45-minute slot for a refreshing nap (on a wonderfully comfortable Casper mattress, of course). They even provide sleep-inducing music (sleepcasts) and complementary PJs.

Fast Company writer Katharine Schwab describes her experience in detail – walking through a blue tunnel with twinkling “stars,” preparing yourself for your nap in a comfortable lounge, and then stepping into your pod, where you are welcomed with a personalized, handwritten note.

This is such an audacious idea when you stop and think about it – asking someone to pay you $25 to take a nap. But that people are actually doing it says something about the premium consumers place on having a unique brand experience.

It also says something about how analog and digital are blending in marketing strategy. E-commerce startups like Casper, Warby Parker, and Glossier clearly see the value of complementing their robust online presence, which is the core of their business, with a brick-and-mortar presence in key locations to help build their brands and create buzz.


The LGBTQ consumer

In a Medium article about purpose-driven brands we described what we called “Opportunist” brands, which jump on social issues in the most superficial way and try to take advantage of them. At best, these efforts are ignored, like wallpaper. At worst, they can backfire and make the brand seem exploitative.

Many brands have struggled to connect with LGBTQ consumers, specifically. Every June during LGTB History Month in the US brands slap rainbow flags on everything, but this recent Fast Company article suggest those efforts, in and of themselves, generally don’t work.  It can’t just be a once-a-year display. LGBTQ engagement should be an ongoing part of how your brand lives.

For example, the article points to Suitsupply, which lost a ton of Instagram followers (presumably mostly straight ones, judging by the comments) after introducing a campaign clearly aimed at gay men.  And there is Disney, which directed a social influencer campaign for A Wrinkle in Time at the LGBTQ community.

The article quotes an expert who recommends ditching the hit-and-run Pride-month-only strategies and, if you are going to go after LGBTQ consumers, make them a part of your brand on an ongoing basis, not just once a year, and promote people from those communities into leadership roles in your organization.

(photo: Charlotte Butcher/Unsplash)



I generally prefer to steer clear of politics here, but this Fast Co Design article about the visual identity of the Alexandria Ocasio-Cortez campaign was too good to pass up. It’s a lesson about courageous branding that goes against the grain.

Ocasio-Cortez, if you are unfamiliar, is a 28-year-old who last week defeated a longtime, well-bankrolled incumbent in the Democratic primary in her New York City congressional district. Given the partisan lean of the district, she is nearly guaranteed to win the general election in November and become the youngest woman ever elected to Congress. 

As the article points out, her campaign branding breaks a number of conventions for US elections:

  • The upward tilt of both her face and of the typography on her campaign material is unusual and unconsciously suggest hope and optimism. The design was inspired by labor and civil rights movements from the 1960s and ‘70s 
  • The color scheme is built around purple and yellow – not the traditional red/white/blue
  • The inverted exclamation marks and stars unabashedly reflect her multicultural identity
  • The font also has a hand-drawn feel to it, which is appropriate for a candidate campaigning  as the nemesis of the 1%

Of course, in politics great design isn’t everything.  At least one other multicultural Democratic primary candidate in New York had some very compelling branding and a message similar to Ocasio-Cortez’s but he lost, in part, because he ran a bad campaign.  Plus, Ocasio-Cortez’s message resonated with the very progressive mindset of Democratic voters in her culturally diverse urban district. The same approach may not have worked in Iowa or Missouri. She was the right candidate in the right place with the right message at the right time.

It will be interesting to see if other candidates will copy her visual branding (undoubtedly they will) and how much success they will have (more of an open question).  I could easily envision a populist Republican candidate in the Trump mold trying something similar.



An appeal to the heart and a punch to the gut

Two magazine covers this week use visual metaphor to drive home the emotional impact of separating immigrant children from their parents at the US border.

The Time cover above has been “fact-checked” to reveal that the girl in question really wasn’t separated from her parents but, as this Mediapost article suggests, that doesn’t really negate the emotional power of the image. 

Throughout history we have seen metaphors transform the way people think about social issues. In the days before photography and film were widespread, these metaphors often came in the form of fictional stories like Uncle Tom’s Cabin which, though it perpetuated its own distasteful stereotypes, painted a poignant word picture about the horrors of slavery. And The Jungle, whose stomach-churning descriptions of the meatpacking industry changed the way the government regulated food production.

In more recent times, the images of African Americans being hit with firehoses and attacked while sitting at lunch counters and the graphic images of the body of Emmett Till brought home the injustices of inequality in a way that words could not. Iconic images of a young girl screaming in pain after a napalm attack and Nguyen Ngoc Loan’s execution of a suspected Viet Cong officer transformed how many Americans felt about US involvement in Vietnam. These images were metaphors that symbolized a broader set of experiences and concerns.

On the other hand, the few polls released late last week show no effect whatsoever on President Trump’s approval ratings. Perhaps all the outrage about his policy – and the power of these images – are much ado about nothing, in terms of public opinion. Or maybe it takes time for these metaphorical images to sink into our consciousness. 


Music to my ears

Thanks to OZ's Randy Adis for sharing details of the so-called speech-to-song illusion, which is examined in a new paper in the journal PLOS ONE.

Our brains have “word detectors” and “syllable detectors.” When we hear a phrase repeated the “word detectors” shut off, but the “syllable detectors” remain on, which makes the spoken words sound more like a song.

(Play the “sometimes they behave so strangely” audio that is embedded in the article.  It’s unreal. This simple phrase starts to sound like a nursery rhyme.)

Perhaps this is why repetition of certain words and phrases in a speech can make that speech more powerful. Martin Luther King’s repetition of “I Have a Dream” in that famous speech, along with his repetition of other phrases like “let freedom ring,” have certain musical qualities about them, and you get caught up not just in the words but, even more, in the feeling.

Hypnosis kind of works this way – you repeat words and phrases over and over, which allows people to get into their subconscious.


The seven-second resume

An Ad Council campaign designed to persuade employers to hire young people who lack a higher education or traditional work experience has won the Grand Prix of the Effective Innovation category of the 2018 WARC Awards.

The campaign is called “7-Second Resumes.” Created for an organization called Grads of Life, it is just as the label suggests – powerful seven-second videos in which a young person tells an employer why their skills and potential are worth considering, even though they might not stand out on a traditional hiring application.

The hook is that the average hiring manager spends only seven seconds looking at a resume, and thus their implicit bias against candidates like this means a lot of good people never have a chance.

These ran as donated media (PSAs) at first. From there the Ad Council partnered with LinkedIn to post the videos on these youths’ LinkedIn profiles, and then filmed hundreds of 7-second resumes at career fairs across the US. 

Both in terms of hard and soft metrics, the campaign exceeded expectations and outperformed the previous year’s campaign, which featured more traditional ads. Visits to the website jumped 68 percent and Grads of Life was contacted by an average of 45 businesses a month – up from an average of two.

The campaign also garnered earned media in Fast Company and Forbes.

What can an approach like this do to change minds in other ways?  How could a short, emotionally gripping message change minds about racism? Sexism? Medical conditions? Physician-patient interactions? Perceptions of a brand? 


Online, oblivious, and obnoxious

Thanks to OZ's Joe Plummer for sending this article from Gord Hotchkiss about the psychology of trolling.

Why do people say horrible things online – things they likely would never say to someone in a more personal form of communication?

The author identifies two tipping points:

  • When you shift from expressing an opinion to preaching morality. Research suggests that people are more likely to endorse violence when a moral issue is at stake.
  • If you believe a lot of others share your views. This frees people to let loose with their darker, more destructive thoughts, which are often accompanied by violent language. The filter bubble that exists on social media makes it much easier to think that “everyone” shares your beliefs.

Sadly, we’re all susceptible to this to one degree or another. If we’re in a bad mood or cognitively stressed, we’re more likely to troll. We’re more likely to troll at certain times of day (which reminds me a lot of the thesis of Daniel Pink’s latest book, When, which focuses on how time of day affects our emotions and behavior).

TLDR: People suck.


There is a dog looking for you

Two great examples of how out-of-home marketing can generate interest and build brands. (These are not new cases, but they are new to us…and therefore perhaps new to you.)

Battersea Dogs and Cats Home is an animal rescue in the UK. To attract the attention of people who might want to adopt a pet, they handed out leaflets with an RFID tag. Whenever you passed a one of several billboards within a certain area, a sensor picked up your presence and played an ad with a dog that appeared to be following you. (A different ad would play depending on which direction you were walking.) The #LookingForYou campaign generated a 33% jump in site visits and 10x more leads than the rescue had dogs. 

In another example, Mercedes-Benz was trying to build its safety credentials, so it created an outdoor hologram designed to raise awareness of the dangers of blind spots. You see the signage from the front, and then when you walk beside it, there is a hologram of a man on a bicycle, in your virtual blind spot.


The metaphorical world of cancer

Thanks to Olson Zaltman's Tim Bradley for sharing an article from The Guardian in which the British charity Macmillan Cancer Support warns of the drawbacks of using battle metaphors to describe patients’ experiences with cancer.

Macmillan argues that framing cancer as a fight makes patients feel guilty for admitting fear and often encourages them to “keep fighting to the end” rather than properly planning for a good death. (64% of cancer patients want to die at home, but only 30% actually do.)

The group does acknowledge, however, that “fight metaphors” can help some people remain optimistic.

This reminds me a bit of Susan Sontag’s classic work Illness as Metaphor, in which she argues that the metaphors we use for conditions like tuberculosis (in the 19th century) and cancer unconsciously blame the victim for their condition. She argued that we should not use metaphor at all when discussing illness and its treatment, and instead should stick with purely clinical descriptions of causes, symptoms, and treatments.

Nice theory. In reality, not possible. But Sontag’s broader point is echoed in the “fight” metaphor for cancer. If you die of cancer, does that make you a loser?  If you have a particularly fast-moving cancer and you succumb quickly, does that suggest you are weak? 

The question is then, how SHOULD we talk about cancer?  We have studied breast cancer.“Journey” is a different metaphor that also describes people’s experience with that condition and presumably other forms of cancer. Should we shift our language in that direction?  If so, what about the patients who actually find “battle” metaphors to be empowering?


Screen Shot 2018-05-07 at 6.46.37 AM.png

The Magic of the :06

Six-second ads fascinate me – largely because of how good many of them are. 

It doesn’t seem like you should be able to tell much of a story in that length of time, but through the use of metaphor and symbolism and letting people’s minds co-create meaning, you can really drive home a message. In many ways, a :06 might be better than a :30 because there is no time for extraneous noise that clutters a lot of :30s.

YouTube recently challenged a number of leading ad agencies to recreate classic fairy tales using the :06 format.  The catch is they also had to use those :06 ads as part of a longer story, the idea being that :06s work best not as a substitute for longer ads but rather as a complement to them.

Some of the tactics the agencies tried included:

  1. Tease a longer ad to come: See Energy BBDO’s twist on “The Three Little Pigs.”
  2. String together a bunch of :06s to tell a longer story: See BBH China’s remake of “Hansel and Gretel.”
  3. Using :06s to build intrigue force the viewer to connect the dots: As in GREY’s take on “Little Red Riding Hood” (my personal favorite)
  4. Using different :06s to highlight different product features: 72andSunny’s hilarious remake of “Goldilocks and the Three Bears”

Think with Google has more detail about the different agencies' approaches.

This format does challenge those of us on the research side to find new ways of assessing these ads because :06s often do not exist as standalone entities.  



The death throes of an industry?

The April 14-20 issue of The Economist has a feature article on the funeral industry. Funeral directors are freaking out because of the long-term trend toward cremation and non-traditional services. This means lost revenue unless the industry finds a way to adjust.

We conducted ZMET research for the funeral industry several years ago. Our key finding was that many Baby Boomers see traditional funerals as overly focused on death. In Deep Metaphor terms these services are Containers where I feel physically and emotionally stifled. Conversely, the service these consumers want for themselves involves more freedom of expression. They want their own service to be a true celebration of the life they lived.  

One man described a service he attended at the home of his deceased friend. On a large table, the man’s family arranged a number of different objects that were of importance to this man’s life – his fly fishing reel, his tool box, a set of car keys, a jacket, etc – and everyone sat around the table telling stories about this man’s life, centered around these various objects. Our participant held that up as a kind of model ceremony.

I spoke at a number of national and statewide funeral director conventions a few years ago, and I developed a great respect for the people in the industry. They are deeply compassionate and well-meaning and I enjoyed spending time with them. But too many of them are stuck in the past. The audience at my presentations always fell into three camps.

  • The forward-thinking (and usually younger) funeral directors, who loved the insights
  • Those who nodded politely and said “We’re already doing this,” even though they really weren’t (probably the largest camp)
  • The outright hostile

I was yelled at during one talk. Another time a guy cornered me in the lobby of a hotel and lectured me – with a finger in my face, while his family looked on – about how the consumers we talked to were all idiots. One piece of written feedback suggested helpfully, “Shove a pole up this guy’s ass and run him out of town on a rail.”  

Some of this “People don’t know what’s best for them. Only we do” sentiment comes through in the article. One funeral director fairly screams, “Where’s the guest of honor? No visitation and empty casket, no embalming, What’s the point?”

It’s an industry that is deeply rooted in tradition. Many funeral homes are third or fourth generation family businesses. But this lack of flexibility is how companies and industries die – no pun intended. The voice of the consumer is loud and clear.


Healing and helping

WARC has announced its shortlist for its Effective Use of Brand Purpose Award. One of the campaigns recognized is Vaseline’s US campaign, “The Vaseline Healing Project.” The campaign has been running for two years, but it remains instructive.

Vaseline had a lot of nostalgia associated with it but it had grown largely irrelevant to the modern consumer. Everyone remembers their parents having an iconic Vaseline Jelly jar sitting on the bathroom shelf, but in a way the brand had become too familiar. Sales were slumping and consumers had begun to lose sight of the brand’s key functional benefit – healing skin. This was especially true for Millennial women, who have a vast array of skin care products to choose from.

What the brand discovered is that Doctors Without Borders uses (literally) tons of Vaseline Jelly. In impoverished areas and where there are humanitarian crises, Vaseline Jelly is a simple, inexpensive tool for healing skin and preventing hard-to-treat infections.

From that insight emerged The Vaseline Healing Project. A portion of every purchase of Vaseline lotion or jelly helps provide Vaseline Jelly and other dermatological care products and medical supplies to people affected by poverty or emergencies. To date, the brand has reached 2.5 million people in 61 countries. The initiative has been supported by a multiplatform marketing campaign, including a powerful ad featuring Viola Davis.

The brand saw a 70% increase in the number of people who said Vaseline “works better than other brands” and sales jumped after the launch of the campaign, following an extended period of steady decline. 

Corporate social responsibility is very hard to do well.  So many brands are trying to “do good,” which is laudable, but (sad to say) it’s also important for a brand to get credit for these efforts and that can be challenging. Figuring out some big idea that your brand stands for – like “Healing” or Deutche Telekom’s “Sea Hero Quest,” which capitalizes on the importance of “Connection” – and extending that  broad idea in a novel way is one path to success.


Awful?  Awesome!

We’re in the middle of a Necco Wafer boom. The company that makes them, the New England Confectionary Company, needs to find a buyer within a few weeks or it will go out of business, so lovers of the candy, first produced in 1847, are going to extreme lengths to secure a stash in case the company goes under.

If you have ever had Necco Wafers you know they are, um, not for everyone. The experience of eating them has been compared to eating drywall or chalk. If market researchers were conducting a taste test, they almost certainly wouldn’t pass muster.

But Necco’s success is rooted, in part, in the fact that it is a polarizing brand. An article in Harvard Business Review explains how alienating a large number of people can be a good marketing strategy because those who actually like you feel like part of a special tribe. So if you rate a brand on a scale of 1-10 and it scores something like a 5, that could mean the brand is boring– or it could mean the opposite, that people have deeply polarized opinions.

Necco also capitalizes on the power of memories and symbolism.  The brand reached its peak popularity after World War II.  Not coincidentally, the US government distributed the wafers to GIs during World War II and those same people kept on buying them when they got home, even though they tasted like antacid tablets. The woman in the article above who wants to trade her car for a massive stock of the wafers says they bring back memories of playing in her grandmother’s home.

Necco is a case where products attributes don’t matter much.  Or, if anything, attributes that many perceive as highly negative have worked in a brand’s favor.